Book Review: Lonesome Dove

By: Larry McMurtry

Finished: 8/18/26

I’m not sure there’s much I can say about Lonesome Dove that hasn’t already been said. It’s one of the best books I’ve ever read.

And for a book that’s 858 pages long, what’s remarkable is how little of it feels wasted. Larry McMurtry fills this thing with so many characters, places, relationships and little adventures that by the end, it feels less like you read a story and more like you spent a long stretch of your life traveling alongside these people.

The characters are what really got me.

Gus McCrae has to be one of my favorite characters I’ve ever encountered in a book. He’s slick, funny, woman-loving, incredibly capable and carries himself with this mystique where you get the sense that nobody is ever really going to get the better of him. Well, except Clara. He can be one mess of a fighter, but he can also be incredibly gentle, especially in his relationship with Lorena. There’s a warmth underneath all the swagger that makes him impossible not to love.

Then there’s Captain Call, who is almost the exact opposite. He barely has a personality on the surface. He’s hard, quiet, honest and completely obsessed with doing what he believes is right. He loves being alone. He understands work and duty much better than he understands people. And yet underneath all of that is this huge contradiction involving Newt, his son, whom he can never quite bring himself to acknowledge. McMurtry never needs to spell out exactly what’s going on inside Call. You just feel it.

That’s true of so many of these characters. Jake Spoon is careless and selfish, making promises to Lorena he probably never seriously intends to keep and continually finding himself mixed up with the wrong people. July Johnson starts out as a sheriff pursuing Jake and seems to be part of an almost completely different story. Other characters disappear for huge stretches of the book. At times you wonder how all these threads could possibly be connected.

And then, slowly, they are.

That might be my favorite thing about the construction of Lonesome Dove. The world feels enormous. People seem impossibly far away from one another, living their own lives and having their own adventures, and then their paths cross in ways that feel completely natural. Nobody exists simply because the plot needs them to.

There’s also just an endless amount of stuff that happens. A cattle drive across the country could easily become repetitive, but McMurtry constantly interrupts the quiet with these little bursts of danger, tragedy, humor and absurdity. There are outlaws and Indians and storms and shootings and a bull that battles a grizzly bear. There are moments of horrible violence followed by long stretches of dusty cowboys riding across an almost empty landscape.

And somehow, all of it is beautiful.

That’s another thing I loved about McMurtry’s writing. He can make the smallest, most uneventful moments feel as important as the big ones. One of my favorite passages in the entire book is just Gus getting up early, making biscuits outside and watching the sun come up. McMurtry writes:

“It was tribute enough to sunrise that it could make even chaparral bushes look beautiful.”

It’s just a perfect line. A few sentences earlier, he describes the sun rising over the landscape until it “lifted clear, like an immense coin.” There’s no action here. Nothing important to the plot is happening. Gus is making breakfast, enjoying the morning and reading a little from the Bible while his biscuits brown. But these quiet moments are part of what makes the world of Lonesome Dove feel so real. McMurtry lets you live there for a while.

And that beauty is constantly sitting next to brutality. The distances are enormous. Death can come from an animal, a river, another person or simple bad luck. The treatment of women is often awful, and prostitution seems to be one of the few options available to many of them. Violence is always nearby. There’s a sense throughout the book that civilization barely exists and that the people traveling through this country are largely responsible for keeping themselves alive.

But I don’t think Lonesome Dove is really about cowboys or the Wild West.

It’s about people.

It’s about friendship and loneliness and regret. It’s about the strange bonds people form when they go through something difficult together. It’s about men who can survive almost anything physically while being completely incapable of saying what they actually feel. And there’s this sadness hanging over so much of the book, even during its funniest and most adventurous moments.

That sadness becomes especially powerful because, after absorbing the minute details, these people feel real. When something happens to one of them, you don’t just register it as another plot development. You feel like you lost somebody you knew.

That was certainly true for me with Gus.

By the end, I didn’t want to leave these characters. That’s probably the highest compliment I can give a book this long. Instead of being relieved to finally finish, I was sad there weren’t more.

One of the best-written books I’ve ever read, cover to cover, and one of the easiest ratings I’ve given. It doesn’t hurt that while nearing the end, I spent time riding horses with my wife through a Washington forest—truly bringing this to life.

Rating: 10/10

Book Review: Someone Who Isn’t Me

By Geoff Rickly

Someone Who Isn’t Me is a languid cautionary tale that takes readers through the rollercoaster ride of addiction. There are scenes of scoring junk outside a place of employment in order to use at work, descriptions of how years of abuse can swallow your identify and blur reality, and depictions of the types of challenges faced on the road to salvation/sobreity.

This debut from Geoff Rickly navigates the full mental lifecycle of a hard drug user long after it’s taken a devastating toll on their inner psyche. Revealing diction takes readers on an intriguing odyssey of introspection, an exercise in self-exploration used to attempt to overcome the harrowing grips that opioid-based substances can place on a mind.

This novel is for those who want a raw read and wish to better understand all aspects of human nature. Specifically, what life is like being haunted by drug addiction in an unromantic, seemingly accurate portrayal that will feed curious minds. Fans of Burroughs’ works like Naked Lunch and other exposés that take creative approaches to writing about the effects of chemical dependency will find this to be a thrilling, modern day take. Not a single page is wasted throughout this semi-autobiographical text, turning the many hallucinatory passages about losing sight of yourself into something layered, vulnerable, and even beautiful:

My reflection listens carefully, worrying the corners of two folded-up hundred dollar bills in his jacket pocket, as he enters the freezer section. When my man reaches the frozen pizzas, he looks at my reflection in the glass of the freezer doors, and I wonder if he sees what I see: the reflection of my reflection, the ghost of my ghost, floating in the cold phosphor glare of the market hungry but unable to eat, thirsty but unable to drink.

At the core of this novel is an interesting exploration of using ibogaine, a real plant-based psychoactive compound leveraged by rehab clinics in Mexico, to help users introspectively dissect certain life events that are believed to be at the root of amplifying addictive behaviors. The goal is to finally face those issues head-on and hopefully, get clean. This allows the protagonist to have dream-like experiences—some seem to be completely real visions of actual occurrences while others are distorted realities—to help him work through what causes him to use, see how much he is cared for, and figure out how to navigate the next phase of his life while trying to stay sober.

Rating: 8.75/10